The Mellow Hut

I Once Was Lost, But Now I'm Found

TiVo Warning: Details of Wednesday night's Lost season finale will be discussed. Proceed at your own risk..

I have to admit that there were moments this season when Lost seemed to be lost. When the show was at it's best, it seemed like each episode ended the same way: the closing title would plunk onto the screen, and my mind would immediately begin racing. What did we just learn? What does that mean? How can this twist possibly be resolved? Is that character really dead?? And the next seven days couldn't pass quickly enough as I waited for my next dose.

There were times, though, when the end of the show was just the end of the show. Instead of sitting deep in thought for a few minutes, maybe zipping the TiVo back to watch a few key scenes or review the flashbacks, I'd just click over to SportsCenter. The show seemed stagnant, and there were those who felt it had lost its way.

On Wednesday night, though, the geniuses came out swinging and delivered the best two hours of television I've watched in a long, long time. In case you've forgotten, Lost is the best show on TV. (Alright, people tell me that the Sopranos is a decent watch, but I'm one of the few holdouts. Forgive me.)

But back to the Island. Even if you've only watched a little of this show, you know that the flashbacks are what pull everything -- and everyone together. For a while now, as I've become more attached to the characters, I've started to realize that we've gotten to know Jack and Kate, Hurley and Sawyer, Jin and Locke, and all the rest in just the same way that we get to know our real-life friends. At first all you have is the present tense -- all that you observe -- but little by little you learn the history. You get stories about prom dates and high school hangovers; triumphs and disappointments; secrets and dreams. Eventually the line between past and present begins to blur and all that's left is one continuous history.

And so it is that all of these people, or at least most of them, have secured a place in our lives. This week's season finale offered a perfect example. I was puzzled by the first flashback almost immediately. Jack's cell phone wasn't right. It looked suspiciously like my RAZR, a model which was certainly not available three years ago. This error -- for that was how I saw it -- bothered me. And even though we eventually learned that these flashbacks were actually flash forwards, explaining the modern phone, that's not really the interesting thing.

As I viewed the flash forwards throughout the night, I was struck by how much Jack's suffering was bothering me. When he stood on the bridge preparing to jump to the concrete below, I wondered what could have driven him to such a point. Later, as he seemed to hit rock bottom in the pharmacy, it was actually hard for me to watch. Thankfully, though, as these scenes dissolved back into the reality of the island, with Jack heroically leading our tribe to the radio tower and eventual rescue, I was comforted by the reminder that he was okay. Everything was okay.

And then came the bombshell at the end, which made everything worse. Suddenly the entire episode was turned on its head as I realized that Jack wasn't the hero anymore. The flashbacks which I had thought were showing me all he had overcome were instead previews of what he would become. As soon as I worked through the shock of this and understood that it meant that they really would get off the island someday, my attention shifted to Jack.

As the moral center of Lost -- sure, he strays from time to time, but he's still pretty much true north -- he's the one we've been following since the camera first pulled back from his blinking eye in the opening scene of season one. We want them all to be saved, but more than anything else we want Jack to be the one who leads them home.

All of this explains why my reaction to Jack's downward spiral was so strong, and probably why Kate looked at him with such sadness and pity as she left him at the airport. We care about Jack. It's difficult to watch as he contemplates suicide and wallows in drug addiction because he has become much more than just a character on a television show. He is -- along with Kate, Sawyer, Sayid, and all the rest -- a part of our lives.

Like any good story, whether it's Hamlet or The Cat in the Hat or Seinfeld, it's the characters that enter our hearts and minds and keep us coming back for more. With Lost, it's no different.

Fading to Grey?

** TiVo warning: If you've got Grey's Anatomy episodes waiting on your TiVo, come back after you've watched them **

I came to Grey’s Anatomy in much the same way that I imagine most men across the country have: I was infected by my wife. She jumped on the train early on, no doubt lured by the biting banter of Christina, the vulnerability of George, the tragedy of Izzy and Denny, and the drama of Meredith and McDreamy, all played out to the tune of a different Snow Patrol tune each week.

All of this was pouring out of my television, usually as I sat a few feet away at the computer, so I quickly fell under the spell of Seattle Grace, and before I knew it I was sitting on the couch beside my wife, wondering along with her about Burke and Yang, Addison and McSteamy, George and Callie. I was hooked.

I’m still hooked, I suppose; I was awake until almost two o’clock the other night watching three hours of TiVo’d episodes. Midway through the marathon, however, a thought occurred to me. Maybe it’s time to get off this train.

The sea of contradictions which make up the Grey’s Anatomy formula is fairly well established by now. It’s set in a hospital, but not really about medicine. The doctors log hundred-hour work weeks, but still have time for any number of romantic interludes. The show is named after Meredith Grey, but she’s the most annoying character. We accept these things without question; we watch for the drama, after all.

But since this is a hospital show, there has to be some medicine, right? (Any viewers who doubted this were corrected last summer when ABC's "news" program 20/20 devoted an entire hour to the medicine of Grey’s Anatomy -- a shameless bit of cross-promotion.) So here’s how the medicine fits in: the patients exist merely as metaphors for any issues confronting the characters.

You know how it works. Derek is trying to decide whether or not he can leave his wife for Meredith, and he’s presented with two people who have been speared by the same metal pole; if they are separated, only one will live. Izzy is suppressing her pain after Denny’s death, and she meets a woman whose body is slowly turning to stone. George is feeling guilty for sleeping with Izzy, and -- presto! -- in comes a patient whose trip down the Amazon with his mistress was interrupted when a small fish swam into his penis.

Within the flow of the show, it always looks the same. The pensive resident walks into an exam room where he or she finds a patient whose diagnosis mirrors some moral dilemma, then the camera cuts back to the resident, looking appropriately stunned.

It’s a nice gimmick, but along with the rest of the show, it’s getting old. I’m suddenly not so interested in which wedding dress Christina chooses (and does it make any sense at all that she would ask Callie to be a bride’s maid?) or whether or not Derek keeps breathing for Meredith. It’s all getting rather tiresome, so much so that I can’t imagine summoning the energy to set my TiVo for next season’s spin-off, Private Practice. (That’s a lie; it’s set in L.A., so I’ll be powerless to ignore it.)

But there’s still some hope for Grey’s Anatomy. If the writers can look away from the Callie-George-Izzy Bermuda Love Triangle, there are a lot of interesting angles to pursue. Dr. Korev, for instance, has quickly become the most interesting character on the show. Once a cocky, chauvinistic future plastic surgeon, Korev has recently developed an interest in obstetrics and a capacity for caring. Also, Dr. Bailey, the one character who appears to have a normal life outside of the hospital, could stand to get a story line or two thrown her way. Finally, Yang’s marriage to Burke might actually allow her to become more person than sarcastic robot. (Actually, she does a pretty good job as the sarcastic robot. Maybe she should stay that way.)

So while it might sound like I’ve given up hope on the Thursday night soap (ten points if you catch that classic rock reference), I haven’t. As much as I complain, I’m still hooked. And even though I don’t expect anything earth-shattering from this week’s season finale, I’ll still be there on the couch watching to see what happens.